MITCH DAVIS
WRITER

excerpt

I’ve decided to post here an excerpt from overkill. It’s the saloon scene. Now, I’m not much a fan of saloons. When it comes to alcohol, I prefer it at an agreeable price, and I avoid drinking at home.

What I am a fan of is listening to conversations between normal people. Whether I’m rewarded by overhearing some ragged woman talking loudly about wishing to separate from her partner to get back into a casual situationship with an ex because ‘it’s just more fun’ (good luck with that), or some, well, I wouldn’t call him a man, talking loudly about how he’s waiting until the custody battle’s over to get back on the bags, I always hear something worth writing down. Here’s to being a loud cunt. You’re truly an inspiration.

Read more here: https://www.royalroad.com/fiction/195327/overkill

He flew over the lower flat, where it seemed like things were returning to some semblance of normal. Nobody was trying to raid any more of the stores. Nobody was wailing in the Hollow. Nobody was panicking, which was good, but they were still afraid. Stationfolk were gathering in huddled groups that kept their heads down and tried not to turn them towards the sky. They kept busy. There was work to be done on the station. It was no use staring into nothing. Shopkeepers were out checking that their structures were sound, that their equipment was working, and that nothing in the landing had damaged any delicate instrument they needed to perform their duties. Panesmen were down in the work-house, coordinating future repairs.
 Many panesmen were already filtering out towards their duties at the prism interior. Overhead the Obels turned, their passage through the air making their whooshing thumps a familiar rhythm. Forces were at work to keep the stationfolk settled, and Arran was one of them.
 From the looks he was getting, many of them, in their superstition, blamed their predicament solely upon him. None said anything for fear of reprisal from the peacekeeper who’d had his hand returned. The peacekeeper who, as far as they knew, still had the full support of the Mayor’s office.
 There it is, he thought. There’s the reason.
 The Mayor needed to keep control over the stationfolk, and Arran was how he did it.
 ‘Arran you fool,’ he said, and sighed.
 He landed down on the wide lower deck around the saloon, hitting with a solid thud. A small crowd of familiar faces was already there, drinking their woes away at the senselessness of it all. By one consideration he couldn’t blame them. By another consideration he knew they would be drinking regardless. One or two who saw him land gave Arran sidelong looks. At once they finished their drinks and departed. They knew Arran wasn’t a fan of the saloon at the best of times. The smell of piss and existential disappointment was often overwhelming.
 Arran ignored them and pushed through the creaking batwing doors. What merriment existed in the room was sucked out of it by his entrance. Inside, across the panelled floor, folks were gambling to keep themselves occupied, lest their duties about the station interfere with their distraction. One gambler was about to lay down his cards. He spared a glance at Arran and drew a sharp breath, and when he lay them down the table gave no reaction. Their attention was diverted to the peacekeeper.
 Arran went to the bar. The bartender was occupied shifting a dirty mop-bucket. ‘Hello Dath,’ he said. ‘Amber mezcal, and for all that is holy make it a double.’ The less time he spent returning for drinks, the better.
 ‘Right you are,’ Dath said, a strained edge to his voice. He turned his back to grab the bottle from the rack on the wall. He kept his demeanour professional, but Arran could tell he was concerned. His movements were stiffer than usual and as he returned with the bottle his gaze carried a reproachful weight. ‘You’re not here on business, are you?’ He loosened the cap.
 Arran shook his head. ‘I didn’t come to see your pretty face,’ he said. ‘I’ve got an announcement to make.’
 Dath winced. ‘Here?’ He poured a clean double and set the bottle down.
 Arran took the glass. ‘Why not?’
 Dath reached to polish a fresh glass. ‘Bad enough day as it is.’
 ‘It’ll get better.’ Arran drank the glass down in one gulp, set it down, and faced the small crowd.
 Arran clapped his hands. ‘Alright, listen up.’
 The gambler looked over his shoulder. The rest of the crowd was already paying close attention. Some shuffled in their seats, making wooden creaks that scratched over the quiet. A female voice came spitting at him from aside. ‘Why should we listen to you? Where’s your badge?’ Arran looked over. The woman stared him down, whisky fueling her sharp gaze. A woman who’d graduated from bar-maid here to mother and bar-regular, she’d kept the bottle at her side throughout it all. Arran often wondered how she, and others, continued to find the same scene entertaining. It was a small prism, he’d supposed. Not a lot of opportunities, and time dragged on. Many found their way into the trap of drink and loose conversation, even if it did have a tendency to repeat into dullness.
 ’I don’t know, Meggin, where’s your daughter?’
 She left.
 Arran watched her storm out the doors, as those around her cast their gaze at their feet. Arran assumed the school was still operating, which, by his clock, would be getting out for the day. She was muttering something to herself. Arran cared not to switch on his augmented hearing to listen. Perhaps she would go accompany her daughter home, for once. Given the crisis, he was not sure why she was here at all. Arran sighed and looked over at the rest of the crowd. ‘I’ve spoken to the flight team. They’ve confirmed my suspicions. We have been swallowed by something.’
 The gambler interrupted. ‘By what?’
 Another voice spoke up. ’By the dark beast of the shadow Equinox laid upon us by this hell-sent peacekeeper!’
 Margarey Kim’s gossip had spread here first, as he’d expected. So he’d come here to control that, if he could.
 Arran raised a hand to settle their protest. ‘Please, let me finish. It is some kind of creature, something impossibly large. It ate our sun and devoured Huon too, as we all saw. But I say to you that it is just a creature. Don’t let your imaginations run wild, we don’t need a riot. What we need is to stay calm.’ He felt the alcohol working through him and leaned his elbow back on the bar. ‘Be cool, folks.’
 It didn’t help.
 ‘Huon just… collapsed…’ someone said.
 ‘Why couldn’t we fly away?’
 ‘It ate our sun?’
 'The Gods have forsaken us!'
 ‘Please, please,’ he said, trying to settle the rabble. ‘I have a plan.’
 Someone snorted. Arran looked over. He recognised the face. His nose was swollen and purpled, his cheeks threaded with burst veins, a face that had been marinating in spirits since before Arran had arrived on the station. The man let out a burp and said, ‘You put us here, lawman. Now you plan to get us out?’
 ‘I did not put us here, Serge Herbetson. I did nothing of the sort.’
 Someone shook a fist. ‘You killed Odelford! I did work for that man. He was a good man! You invited this… this death to us! Only the Gods can rescue us!’
 Arran didn’t even know where to begin to address that accusation. He could only remember the great malevolence he’d sensed at the flight facility. His hesitation was enough to set a few back in their seats in disagreeable consideration.
 ‘We aren’t dead,’ Arran said, finally. ‘Doggett got us out of that. It was by his skill that we are alive and weren’t sucked in after the sun, or struck by it. It’s not by any God’s kindness that we’re still alive, and it won’t be by their mercy that we are saved. It’ll be us. It’ll be me.’
 The shaken fist belonged to a drunk panesman who shouldered his way out of his group. ‘How do we know? This place might as well be the last stop in the whole fucking universe! The church has shut its doors and refuses to open up! We are dead!’
 ‘We aren’t dead because I can kill this creature, and I fucking will! I’ll fucking kill it, I can kill anything!’ There was the liquor in his own voice. Arran shoved off the counter and stared down the drunk. By his approach it looked like the situation was about to spill over into violence.
 The man who had shaken his fist stood back, stunned and more than a little afraid. Arran’s aggression worked better than his attempt to reassure them. Judging by the looks he was getting they thought he was crazy. Maybe Jensen was right, and he was gone crazy like him.
 A voice piped up from the back of the room. It spoke with a tiredness to it. ‘Just don’t kill all of us while you’re at it, peacekeeper.’
 Arran said, ‘Not the first time I’ve heard that today,’ and decided now was time to leave.
 Baleful looks followed Arran towards the doors. His footsteps were the only sound in the room. He couldn’t reassure them. He could only do his best. He brushed through the doors. Dath cleared his glass. As it went clinking upside-down onto a rack Arran’s spell on the room broke and some normalcy returned. The gamblers resumed playing. A few others resumed drinking. Seats turned back to face their tables. Someone struck up a chord on the piano.
 Arran stood out on the deck and looked over at the church. A gathering of people were praying at its doors. He decided against going over there to try and reassure them. He just wasn’t very good at it. Too much in him wanted to shout at them. Maybe he’d leave the churchgoers be.
 He was, again, doing it for the widow Graney. That was enough of a reason, he supposed.
 Arran looked around and was glad it was dark. It would be easier to sneak a skiff out, and he supposed he was almost ready to go.
 It was time to return by John’s store. He’d need to be able to breathe out there.



Welcome, new readers

Hello! I see you out there, floating about in e-space. overkill might have brought you here, and if it did, great! I’m real glad you’re reading. Reading is freedom and so it should be free. That is why I’m writing today, to offer you even more free stuff.

First off, here’s a link to download an eBook version of Well’s Rest, my second book. If you’re a keen copyeditor then maybe it isn’t the book for you. If you’re passionate about language, then maybe it is? If you’re an editor who likes it, then fam, hmu at the Contact tab.

Secondly, here’s SLOP FIGHTER. It’s a game I made that utilises a very small LLM. Don’t have Steam? It’s also on itch.io. It’s finished, but sometimes I get bored and tinker with it. It’s not perfect, but neither are LLMs. Neither am I.

Thirdly, because you need a third thing, here’s a short story I wrote ten-fifteen years ago. It’s called GELIGNITE. It’s a love story. I wouldn’t call it a personal story. It’s just kinda fun. I think I sent it to magazines at one point. I can see why it wasn’t published.

That’s it! Here’s something to listen to.

Edit: I’ve updated the sample from overkill. Check that out if you like. I’m still editing this book live over on Royal Road so you can stay updated on the progress. It’s coming along. Slow is smooth and smooth is fast.




the stories that go untold

Here’s a place for them:

With that out of the way, let’s get down to brass tacks. overkill is done. I’m going to start releasing it on Royal Road. Here’s a blurb:

On NEWSTEAD-SIX, death isn’t the end. On humanity’s frontier there is a prism which contains the greatest achievements humanity has ever known: a station where bodies get regrown, where humans can fly, and where death from age, violence, or sickness is a distant memory. It’s a space station where grudges get older, where selfishness unfolds over decades, and where scientific curiosity turns to sin. 

Arran, a former undercity lawman, has come out to live on an itinerant space station as their local peacekeeper. What he’s found is a nest of intrigue that’s led him to brutally avenge a vicious crime.

Now he’s suspended, a gun-hand short, and the Mayor wants him gone as soon as the district chief arrives. The town would help him pack his bags.

Arran’s deadly instincts are the least of their concerns. There’s a creature swimming in the void outside their small, protective prism. It’s hungry. It’s angry. It’s afraid. It’s big. Big enough to swallow them whole as it devours their system’s sun.

overkill is a posthuman frontier western about the law at the edge of forever, and the man stubborn enough to keep it.

~~~~

I’m not good at blurbs, but that is fine.

One thing that might surprise you, from an author of westerns, is how little I enjoy my life resembling one. I don’t even think about books when I’m not writing them. Much less do I think about dancing around like a spur-booted cowboy. I enjoy getting things done. Writing is often an extension of that. My life exists to support my stories, but if I tried to think about playing at stories in my daily life I’d just find myself buried under the weight of all the reality that contradicts them all the time. Real life’s like that, messy and uncertain, and if anyone ever comes at you with a good story then they are trying to fool you. It’s somewhat ironic I’ve chosen to spend my life writing stories, having such little faith in them, but perhaps that is what happens when you’ve been working with them for so long. It’s like knowing how the sausage is made. You don’t want to know. There’s a man on YouTube who makes sausage and it is violent.

Which brings me back to overkill. The delicious pork sausage I’ve served up for you. I’d love to know how it goes. I see it as a counterpoint to Well’s Rest. It’s more of a straight western, for one. If there is any challenge I take with my work, it is to make each new project a counterpoint to the one that came before it. Every new work needs to be a reversal of whatever efforts that made the last one, whether in setting, structure, themes, any aspect. It keeps every new project fresh and exciting for you, the reader, but more than that it keeps me interested. I’m not interested in replaying the hits. With my work you’ll see variety, imagination, and fine attention to things like tone, texture, and timing. Those are the features I try to keep. Most else is changeable. That’s what you should expect from overkill.

For now I will only publish this new story serialised on Royal Road for the value of a closer editing pass than I am willing to do as a separate task, and then I will publish it in paperback and eBook format. I have a cover for it, but the cover is AI-generated and deliberately shit. When I can afford to pay an artist to design a better one, I will.

Without further ado: https://www.royalroad.com/profile/786561/fictions

This time I got names from Bing Maps.




Steam release

I’ve been busy lately making the game ready for Steam and here it is: https://store.steampowered.com/app/4430050/SLOP_FIGHTER/

With this project I have had a lot of uncertainty as to what is actually achievable from a large language model. I have constantly felt like I have been walking a fine line between contextual accuracy and complete incomprehensibility, but over time I have managed to work together some truly impressive features I only ever dreamed were possible. I go into more length on itch.io, but to sum up, I’ve managed to better contextualise the LLM’s understanding of all the words I’ve stuffed into it. This means the monsters can, and will, narrate the way they use themselves more effectively. A monster with camouflage, like a chameleon, will reference it when an attack against them misses, for example. The monsters are more aware of their environment, their opponent, and themselves. All the different information about the monsters is being passed properly all the way through. There is still some degree of “creative compliance”. I also added laser beams and other special attacks.

Underlying the narration are extensive semantic graphs, which are simply blocks of words sorted into categories, like body parts, movement styles, and mutation vocabulary. The LoRA adapters, which attach to the LLM, are trained on sentences constructed out of these graphs. Each word, in consideration of the sentence structure around it, is given numerical weight and at runtime the LLM relies on its internal mathematics to decide which word to generate.

Its decision-making when it comes to generating words can be influenced, kind of guided, by careful prompting, which at the end of the day is just English skills. Essentially, if you give the LLM enough of the information it needs in the right way it can start to build the required context to generate narration that reflects its character.

It’s a problem I’m familiar with as an author. How do I get the reader to generate an image in their head based on the words I am using? How do I make this person understand? It’s kind of fun to think about how the challenges are the same for what is just a machine that generates words.

Here’s the link again: https://store.steampowered.com/app/4430050/SLOP_FIGHTER/ Banned in China!



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